Free Download The Creative Digital Darkroom
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The Creative Digital Darkroom
Free Download The Creative Digital Darkroom
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About the Author
Katrin Eismann is world-known for her talent as a Photoshop expert and photographer, but above all she's considered one of the best teachers her field has ever seen. This book uses the clear, concise tutorial approach that made her two previous Photoshop books bestsellers that take photographers beyond quick tips and gimmicky effects.Sean Duggan is a fine art photographer, educator, and Adobe Certified Photoshop Expert with extensive experience in both the traditional and digital darkroom. Co-author of Real World Digital Photography and Photoshop Artistry, he's been helping photographers master Photoshop and digital darkroom techniques through his workshops for over ten years. He brings his keen understanding of the photographic process and creating the best image possible to The Creative Digital Darkroom.
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Product details
Paperback: 432 pages
Publisher: O'Reilly Media; 1 edition (January 11, 2008)
Language: English
ISBN-10: 0596100477
ISBN-13: 978-0596100476
Product Dimensions:
8 x 0.9 x 10 inches
Shipping Weight: 2.6 pounds (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
62 customer reviews
Amazon Best Sellers Rank:
#1,118,893 in Books (See Top 100 in Books)
This book is written for the photographer, the visual artist, or anyone aspiring to become such. In the first paragraph of the preface the authors state "As visual artists, photographers are constantly practicing looking and seeing images. They make photographs, even when they don't have a camera with them. The eye is the lens and the mind is the camera." The digital darkroom tools that the authors reference in the book are Adobe Photoshop CS3 and Adobe Photoshop Lightroom. They further state that the concepts and techniques presented are really applicable for use in most image editing and RAW processing applications. The companion web site, [...], provides additional information, as well as the images for use while following along with the exercises in the book and a bonus chapter in PDFformat covering the subject of creating high quality prints.Today many books on the subjects of image editing and RAW processing are mainly step-by-step cookbooks, with an emphasis on following a recipe to create a specific result. While this book does have plenty of exercises to step you through, the focus is really to hone your sense of creativity, refine your artist's eye, and build a deep understanding of how the digital darkroom tools work. The first of 10 chapters is brief, only 15 pages, and addresses training yourself to "see" images and learn digital darkroom basics for both detail work on individual images and batch processing for large numbers of files. From here you begin to lay the groundwork for image processing with considerations for building a digital darkroom environment and understanding color settings and management. Next, in the chapter titled Scan, Develop, and Organize, are details on various methods and considerations for acquiring and managing images. And now the magic begins, as do the in-depth explanations of the processes used to create those magical results.Chapter 5, Tone and Contrast, caught my attention as my photo-taking abilities require a lot of darkroom work especially on those two subjects. I also like to add drama, or some would say melodrama, to areas of my image. The `deep learning' contained in these pages provided me with a lot of much needed information. Working with curves and the Photoshop curves dialog has always been a matter of applying a known formula and not knowing where to go from there, but usually another tool. The section titled Understanding Curves begins on page 140 and continues through page 145. This tool provides the greatest control over manipulating tonal values in an image. How to select a tone in an image and then locate it on the curve grid and then create a control point, enabling a tonal adjustment, is thoroughly explained. Then there are steps, explanations and examples for applying a basic S-curve and reverse S-curve for increasing or decreasing contrast. The concept of lockdown points was new to me. It is a method of placing points at grid intersections, fixing parts of the curve in place so they are not affected as you adjust other areas of the curve. After this introduction to the power of curves for use in tonal control of an image, I read on to see that the tool plays a prominent role elsewhere in the chapters when working with color. I was able to use the info gleaned from these pages for improving a portrait cropped from a family picture. Using the approach of applying a mask and subtle curves adjustments, I was able to reduce the ruddy complexion in the photo to a more natural state for this individual.The Short Take:The ten chapters of this book contain a lot of technical expertise, sometimes more information than I could absorb in just one sitting. The subjects discussed cover a wider range than I could detail here. I'll mention just a sampling of subjects: color management, techniques for acquiring images, improving image quality, and applying creative enhancements. I found this book to be a great resource filled with tips and cautions, suggestions for training the eye to see in terms of composition, step-by-step instructions for trying out digital darkroom techniques, and bits of personal wisdom from the authors. I'm sure it will prove a valuable resource to keep handy by my computer when transforming a digital photo or my imagination into a digital creation.
With one notable exception, this book is a rock solid foundation on the digital darkroom. It's very well written and the authors explain things in a very understandable way. It's full of information that every serious digital photographer should learn and master. Lots of this information can be gleaned from other sources, but this book rounds up all the really important info into one place. I can see this book being used as a text in digital photography classes. Although there is a section on creative enhancements, this is not the book for you if you're looking to learn to remove your ex from a photo, or create photo art. But, if you're looking to make your photos look great and understand how and why, this is your book.The one flaw is the lack of information on printing. Sure, the authors have a website where you can download the "bonus" printing chapter, but why was this chapter not included in the book? Printing is as important as any other subject in this book, so to claim the printing chapter is a "bonus" is a great disservice to buyers of this otherwise great book. I find it disturbing that the publisher is trying to pass off a flaw as a "bonus".I would have given this book 5 stars if not for the omission of the printing chapter. Otherwise, this is a valuable resource for your digital darkroom.
Katrin Eismann is amazing. She's an amazing teacher and an amazing writer. I absolutely LOVE her other books, especially Photoshop Masking & Compositing (VOICES),Adobe Photoshop Restoration & Retouching (3rd Edition) (Voices That Matter), and Real World Digital Photography (2nd Edition) (Real World). I don't know much about Sean Duggan, but Katrin's books have always amazed me.Katrin teaches concepts very thoroughly; describing not only what to do, but how and why the method works. I've never been left wondering, "What about ...?" because she covers it ALL. With that said, here's what I thought regarding this specific book:Photographers transitioning to a Digital workflow will benefit from this book the most. It will teach you how to make your images look their very BEST.This is NOT the best book for well seasoned Photoshop users, although it has it's jewels of insight. Why? Because this book will hold your hand and walk you through every single tiny little step to teach you the method you're trying to master. If you already know Raw processing, retouching, layer masking, curves, layer adjustments and layer modes, then you're probably going to know most of this book already. With that said, there are still lots of "Advanced" Photoshop users that don't know these things and would benefit greatly from this book.I've been using Photoshop for 10 years now and so reading this book was painfully slow going for me because the steps were written so thoroughly. I kept hoping the next chapter would be about creative enhancements, but most of the book covered the essentials of prepping your files to produce the highest quality final product (which is important but can be boring).I gave this book a 3 of 5 not because it wasn't a well written book, but because it didn't live up to my expectations as an intermediate to advanced user book. Had it been described as a book for Digital Imaging beginners then it would get a 5. I've always learned TONS from every page of Katrin's other books, but this one left me feeling like a professor attending an entry-level course... possibly because Katrin has already taught me most of the information through her other books.
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