Ebook The Collector's Encyclopedia of Brush-McCoy Pottery: Updated Values, by Sharon Huxford Bob Huxford

Ebook The Collector's Encyclopedia of Brush-McCoy Pottery: Updated Values, by Sharon Huxford Bob Huxford

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The Collector's Encyclopedia of Brush-McCoy Pottery: Updated Values, by Sharon Huxford Bob Huxford

Ebook The Collector's Encyclopedia of Brush-McCoy Pottery: Updated Values, by Sharon Huxford Bob Huxford

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Product details

Hardcover: 190 pages

Publisher: Collector Books; 1st edition (April 1, 1996)

Language: English

ISBN-10: 0891450785

ISBN-13: 978-0891450788

Product Dimensions:

9 x 0.8 x 11.5 inches

Shipping Weight: 2.6 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#942,747 in Books (See Top 100 in Books)

I will agree right away that this book has some nice photography and it is not likely that the average collector will ever see some of the pottery listed in this book. Also I want to tear my hair out at times distinguishing between Nelson McCoy pottery and Bush McCoy pottery. Some of the pieces listed were apparently either made by both or they were borrowing heavily from each other. For instance I have always thought that the Princess Line from the mid-60's was a Nelson McCoy line (Page 144). So it would definitely suggest that a novice might also want to pick up Sanfords'Guide to McCoy Pottery. Just to note, the use of the name Brush Mccoy ended in the late 20's so anything made after that should be either Brush or Mccoy, not the combined name.(I also have to admit that I have a distinct fondness for the Princess Line. It is still reasonable and fits nicely with both a mid century modern decor or a more traditional decor. Plus, it is still reasonably priced.)The price guide is a separate leaflet, but as was noted elsewhere it is very outdated. The price of the older items have soared, and even the more common planters are attracting interest because of the increased interest in mid 20th century design.Finally, I have a complaint about the presentation of information in the book. One of the main reasons to buy a guide such as this is the identification of unmarked pieces. A great deal of the early Brush pottery was unmarked. A good way to identify unmarked pottery is by looking at the bottom of the pot. The way the pottery is finished can give good hints about maker and age. Good photographs of the bottom of some of these pieces would be very helpful in identification.

Not my favorite Brush-McCoy book but it’s okay and arrived as promised.

very useful

Like the book, would get a new copy as opposed to used. Good pictures and shows you pieces that I never related to Brush McCoy.

My mother collects McCoy brown pottery. I thought this would be great for her. She can look thru book, see what she has and what-not.

Great book for a great price.

Nice book.

very good guide, fast delivery.

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Keep your means to be here and read this resource finished. You can appreciate looking guide that you actually refer to get. Right here, obtaining the soft data of the book can be done easily by downloading in the web link page that we provide here. Of course, the will be yours faster. It's no have to await guide to receive some days later on after buying. It's no have to go outside under the heats up at center day to go to guide shop.

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Product details

File Size: 11536 KB

Print Length: 195 pages

Publisher: Collins (January 9, 2014)

Publication Date: January 9, 2014

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00H1FLDO4

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Amazon Best Sellers Rank:

#54,202 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I bought the hard cover based on one review that said the photos couldn't be enlarged. I should have gone with my instincts to try the digital version first The paperback is a fine little book to carry in a pocket as a reference. The book (either format) is good for those who understand how to handle watercolors. It's packed with good little refresher (and refreshing) ideas, but primarily shows finished pieces. Information about which colors and brush sizes were used is given. Sizes of the actual paintings and paper are also provided in both inches and centimeters. There is some instruction given, a lot more than might be expected in something this small, buty I feel readers should know some basics if they are total beginners. I liked it enough that I decided to take a chance and get the Kindle version. WOW, I should have done that first. On my Kindle Fire H D 7, the paintings enlarge beautifully (at times to larger than the screen). The text also enlarges with no problems on the digital version, but I could read the paperback format with my bifocals- no problems. The color and detail are great- really helpful. I still think the paperback is a handy reference, so I will probably give it to a Kindle-less friend. This book seems like it would be very helpful for urban sketches. It really helps the painter focus on the basics and simplify/streamline the whole process. For me the Kindle format is the better choice and value.

After reading reviews that complained about the size of this book, I bought the kindle version. I could increase the size of the paintings Simple.

As a beginner preparing for first class, I bought this little book. Read it on an airplane and was convinced I could not adequately use watercolor medium, however, the second reading generated a little confidence. Once I actually tried some exercises with the extensive supplies I'd purchased (I LOVE buying supplies for any and all activities!) I really came to appreciate the wealth of information in this tiny book. The author did an admirable job of covering many of the terms and techniques of watercolor and provided excellent examples. I actually like the small size, not to mention the small price! I've purchased larger and more expensive books that did not begin to match the content in Hazel Soan's book.

I believe this is the best tutorial I ever used in my first year of painting. I've read many books, watched a lot of You Tube instruction, and practiced many techniques but this book taught me so much more. I highly recommend it.

I'm a beginning watercolorist. I like this ebook for the many inspiring examples of watercolors done quickly. While the author explains how they were painted it is not a step by step guide as such. I read through in a few days and now will use it for reference.The only issues I have is with the conversion from print book to kindle version. There were a few misspelled words and a few missing pictures.Also the layout didn't always follow exactly. The text might refer to the painting on the right for instance when it is on another page.Mostly not a big deal but I would've liked to have gotten all the paintings.

I've been painting watercolor for nearly a year. I wish I'd had this book then, as it would have saved me thousands of dollars on supplies and countless hours scouring other books with the same claim.. If you're new to watercolor, like me, I'd HIGHLY recommend this book for you. Save your money, as this little (and it is tiny) book is all you need. Hazel Soan's tips in this book are unparalleled, her instruction clear, precise, and absolutely pitch perfect. She does not give in-depth instruction, but enough to encourage you to use your intellect and instinct to paint on your own. It is not a "recipe" type instruction, but powerful, nonetheless. Cannot give this book enough stars, it's that good. Best $8 I ever spent for my watercolor obsession. It was one of two books I bought for my niece when she got bit by the watercolor bug. Superb.

I didn't realize it was pocket size but I love it. It is not really for beginners but I've played a little bit with watercolors and find this book an inspiration to have at hand, I plan to carry it with me in my little storage box of watercolors and tools and papers so that I can just pull it all out and practice during my lunch hour as most of the examples can be accomplished in a short period of time. The artwork shown uses a small palette of colors but look terrific, in my opinion. It's wonderful what can be painted with just different tonal colors of black to gray, or blue to light blue, etc.

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Free Download Roomscapes: The Decorative Architecture of Renzo Mongiardino, by Renzo Mongiardino

Free Download Roomscapes: The Decorative Architecture of Renzo Mongiardino, by Renzo Mongiardino

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Roomscapes: The Decorative Architecture of Renzo Mongiardino, by Renzo Mongiardino

Free Download Roomscapes: The Decorative Architecture of Renzo Mongiardino, by Renzo Mongiardino

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Review

Mongiardino still elicits instant reverence. With his alchemic blurring of eras, the sheer scope and commitment of his massive projects and insistence on valuing ambience above so-called authenticity, he attained mythic stature. - --The New York Times Style Magazine, April 6, 2016 (from a sixteen-page full-color cover story.)

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About the Author

RENZO MONGIARDINO, born in Genoa in 1916, was one of the world's most renowned designers of the 60s, 70s and 80s, and remains highly influential. Although trained as an architect, and at a time when modernism ruled design, Mongiardino found inspiration in the likes of Bernini, Piranesi, Palladio, and the theater. He counted among his clients Gianni Agnelli, Lee Radizwill, Gianni Versace, Baron Thyssen-Bornemisza, Rudolf Nuryev, Valentino, and Baron Guy de Rothschild. Equally at home in the world of performance, he collaborated with Franco Zeffirelli on many films, including The Taming of the Shrew with Elizabeth Taylor and Richard Burton; and designed the set for Maria Callas's triumphant return to opera in Tosca at Covent Garden. He died in 1998 at the age of 82.

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Product details

Hardcover: 240 pages

Publisher: Officina Libraria (Acc); New edition edition (December 6, 2016)

Language: English

ISBN-10: 8897737765

ISBN-13: 978-8897737766

Product Dimensions:

9.9 x 0.9 x 11.5 inches

Shipping Weight: 3.8 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#418,916 in Books (See Top 100 in Books)

Rizzoli and Assouline books are now mostly second rate books – printed in China. Two books I ordered recently from Rizzoli and Assouline have cheap, faulty binding and pages are already becoming unglued and getting ready to fall out! This is not acceptable for a book in this price range. I’m not familiar with the publisher of this Mongiardino book, so I ordered it with trepidation. I’m pleased to tell everyone that I’m overjoyed with the quality – this is an outstanding reprint! The publisher even used special paper to print drawings and sketches that were not in the first edition. Since the first printing of this book is now being sold for $100 plus – this is a great value. Don’t hesitate to order this book – I highly recommend it.

What a genius, and was worth waiting for an affordable new edition to be released, He is such a classic!

Nice book. Great customer service by Amazon when first copy arrived damaged. More sketches than I expected and fewer photographs but good anyhow.

Spectacular

I won't pretend to be a Mongiardino scholar, I simply picked up the original 1993 edition because I was fascinated by his interiors and this review is simply comparing the two editions. I have both editions in front of me and I think the earlier edition was better. I prefer the softer tonal qualities of the photographs. This new edition has removed some of the photos that have "dated" over the course of some 25 years. The new additions have emphasized the designer's timeless and they do add some additional insight to his vision. In some cases, the editors have simply reversed the original negative to make the photos appear fresh. In other cases, they have selected different angles from the original photo shoot. The text too has been edited, but I'm really can't say which is better. Entire paragraphs appear to be removed, but I don't think their ommissions make a holistic difference. Curiously, the wording has simply been changed such as the insertion of the phrase "the last century" (meaning 20th) in order to emphasize the fact that this is a new edition. I bought this volume second hand considerably below retail and I'm glad I did. I do like the new additions, however slight they may be, and the production value overall is still very good, albeit below par with the 1993 edition. This is certainly heaps better than the Verchere title - there's no question about that. Essentially, the original edition still seems to be going for over $100.00 at time of writing this. If you're a great fan of the designer, I think this new edition is worth the expense (especially if you can find an inexpensive second hand copy). It's also a great alternative to the much more expensive original edition if you simply haven't been able to justify the expense. Again, I must emphasize, the original edition is better. This is a good second edition and a nice alternative. It comes down to affordability and availability and this edition, of course, wins hands down.

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